Bates Views Tag Archives:
art
July 1, 2009 | Posted by:
Bates Web
Watch the slide show
Click on thumbnails, above, to view the slide show.
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Soon after students voted to make the bobcat the official Bates mascot in 1925, the Varsity Club stated its eagerness "to see a monument erected which will consist of a granite shaft with a life-size Bobcat in bronze before the present college year is ended."
That year passed, as did 83 more, before Bates commissioned and happily dedicated, during Reunion 2009, the bronze Bobcat seen in this slide show. Designed by Maine artist Forest Hart, it's atop a boulder near Leahey Field, where it exchanges greetings with people along the walk to and from Merrill Gymnasium and Underhill Arena. (more...)
April 2, 2009 | Posted by:
Bates Web
Codraro uses painting to focus on spatial relationships in the human form. "I am challenged by its many connections and its inherent landscape. Places where vertebrae meet, where the human body hinges, these are the areas that continue to inspire me," she explains. "I have come to realize that like the human form, whose shapes and shadows constantly change, my work can only be about moments."
March 1, 2009 | Posted by:
Phyllis Graber Jensen
View Slideshow: Josh Holdeman '93 has his clients in focus during a landmark Christie's sale
It's Dec. 16, and they're coming. Scores of visitors stream into the Manhattan headquarters of Christie's, the purveyor of highbrow art and culture, for the two-day sale Icons of Glamour and Style: The Constantiner Collection.
The 320 photographs on the block represent the "most important collection of fashion photography that we know of," says Joshua Holdeman '93, international director of 20th-century art at Christie's.
Despite the collection's significance, Holdeman and his Christie's team at 20 Rockefeller Center are concerned about the sale. The economy is imploding, and buyers are skittish. (Later in the winter, Christie's and rival Sotheby's would both announce layoffs.) Will these fashion and celebrity images, made by photographic legends such as Helmut Newton, Richard Avedon, and Irving Penn, actually sell? (more...)
March 1, 2009 | Posted by:
Bates Web
Atsuko Hirai
Many breathtaking specters have descended upon the Bates campus in recent years, but few can top the apparition of Chairman Mao cloaked in his legendary, larger-than-life jacket.
We are told that this piece of public art was the creation of a sculptor both famous and influential in his home country of the People’s Republic of China. But what makes an artist famous and influential in that country? And on which side of that fame and influence do he, the artist, and Bates, his host, stand? (more...)
March 1, 2009 | Posted by:
Bates Web
Dennis Grafflin
Campus reaction to Mao Jacket is a variant of what was expressed in the anonymous note that lay beside the sculpture until destroyed by rain: "Why is this man honored who killed so many of our men. Shame on our college."
My guess is that if the piece were by a contemporary American sculptor, displayed a Western suit coat, and was titled George W. Bush, the near-universal reaction would be that representing the president as a rigid hollow metal shell was an act of savage critique. (more...)
February 12, 2009 | Posted by:
Phyllis Graber Jensen
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Studio art major Jessica Kase '09 of Chappaqua, N.Y., works in her Olin Arts studio on an oil painting that will be part of her senior thesis project, an exploration of the intimate nature of creating portraits of strangers.
(more...)
January 21, 2009 | Posted by:
Bates Web

"Voting Day," Minneapolis, 2006, gelatin silver print by Abdi Roble.
The Somali Diaspora: A Journey Away, a touring exhibition of photographs chronicling the migration of Somali refugees to Maine and other U.S. locations, opens at Bates College with events beginning at 5 p.m. Friday, Jan. 23, in the Olin Arts Center, 75 Russell St.
(more...)
December 11, 2008 | Posted by:
Bates Web
Above: "On the Wall, Haikou 6" by Weng Feng, 2003. Below: "Shanghai Series, No. 8" by Gu Zheng, 2004; "Phantom Landscape I, No. 5" by Yang Yongliang, 2006.
Closing Dec. 13 is a major photographic exhibition at the Bates College Museum of Art offering alternative perspectives on the intriguing, dynamic Chinese cityscape. Stairway to Heaven: From Chinese Streets to Monuments and Skyscrapers showcases work by 17 Chinese artists who examine how economic reform, a new influx of personal wealth and rapid industrialization have changed the urban environment.
Open to the public at no cost, the museum is open from 10 a.m. to 5 p.m. Tuesday through Saturday. It is closed on major holidays. For more information, please call 207-786-6158 or visit the museum Web site. The museum is located at 75 Russell St. (more...)
December 11, 2008 | Posted by:
Doug Hubley
"On the Wall, Haikou 6" by Weng Feng, 2003.
Closing Dec. 13 is Stairway to Heaven: From Chinese Streets to Monuments and Skyscrapers, a major photographic exhibition at the Bates College Museum of Art depicting the intriguing, dynamic Chinese cityscape.
(more...)
March 27, 2008 | Posted by:
Bates Views

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| "Bijin Playing a Biwa," a woodblock print by Gakutei. Below: Gakutei's "Oiran with Pipe." Both are gifts of Douglas J. Macko '65. |
Curated by a Bates senior, an exhibition of woodblock prints highlighting the roles, variety and importance of kimono patterns in the Japanese genre called "ukiyo-e" opens with a public reception at 7 p.m. Friday, April 4, at the Bates College Museum of Art, 75 Russell St.
The Kimono and Traditional Japanese Culture: Investigating Kimono through Ukiyo-e in the Bates College Art Museum Collection runs through July 19 in the museum's Synergy Seminar Gallery.
Opening at the same time is the college's annual Senior Art Exhibition, which shows through May 24 in the Bates Gallery.
Open to the public at no cost, the museum's regular hours are from 10 a.m. to 5 p.m. Tuesday through Saturday. For more information, please call 207-786-6158 or visit the museum Web site.
Hisakiku Abe of Concord, Mass., assembled the kimono exhibit from the museum's collection of ukiyo-e, which refers to the dominant form of artistic printmaking in Japan from the 17th into the 19th centuries.
The exhibition was spurred by a donation of 20 ukiyo-e prints by Douglas J. Macko, a member of the Bates class of 1965. Abe was chosen to process the new prints and assemble the exhibit because, in part, of her experience working in the Japanese art department at the Peabody-Essex Museum in Salem, Mass. (more...)
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